


This handpainted cobalt floral tile is a luminous Islamic-style floral tile where cobalt-blue rosettes bloom across a creamy ground, linked by soft green stems and fine golden outlines. Elegant, rhythmic, and timeless, it brings colour and ornament with a calm, architectural repeat.
From De Ferranti’s Islamic Tile category, this design is built around a repeating floral medallion – a central white rosette set into a deep cobalt cartouche, surrounded by smaller blossoms that interlock to form a continuous pattern. The composition feels both decorative and disciplined, with symmetry and geometry holding the movement of the vines.
The palette is classic and uplifting: rich cobalt blue against warm ivory, softened by pale greens and finished with thin ochre-gold linework that sharpens edges and adds a subtle warmth. Small teardrop petals repeat through the field, creating a gentle rhythm that reads clearly from a distance and rewards close inspection with hand-painted nuance.
Ideal for splashbacks, bathrooms, feature walls, niches, and decorative panels, and can be adapted in colourway and scale for bespoke commissions.
The complete tile reads as a measured all-over repeat, while the closer view reveals the softer marks of brush and glaze around the central rosette, ochre outlines and pale green stems. These variations prevent the surface from becoming mechanically uniform and help the pattern retain depth when several tiles are installed together. For larger areas, the joint colour and orientation of the repeat should be agreed from a sample layout so that the blue cartouches remain continuous and the ivory ground stays visually balanced.
Within the same collection, Ottoman Tulip Vine Tile offers a more flowing botanical composition, while Iznik Azure Star Tile places cobalt and turquoise within a geometric fourfold structure. Elsewhere at De Ferranti, Iznik Reinterpreted – Amber & Cobalt Glass Mosaic translates related colour and ornament into glass mosaic, and Saffron Arabesque Inlay Tile explores scrolling arabesque form through decorative inlay. These references can support mixed-material schemes without repeating the present tile too literally.
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